屋晷
・鉛筆素描、牛奶板、木作、雙聲道聲音
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尺寸依場地調整
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2024
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從住處出發，我跟著沿路建築的影子抵達工作室，在每日的循環裡這些影子變成了我的指針，在移動的過程中我清楚地看著地面的影子，影子好像告訴我時間，在這樣的時間中，空間拉長了時間感，時長好像被放慢，我把沿途的影子放進工作室裡，疊合在不同轉角或牆面；而在工作室裡我聽著樓下若隱若現地鋼琴聲、空間的聲響與外頭馬路的環境音，我錄製每個房間中的環境音與琴聲搭配，以一首曲目的時間搭配著車聲、人聲，水滴聲等環境音，以聲音描述時間的變化。
影子、聲音像是指針，光影在時間的運動中改變長短，聲音因應著建築裡空間的不同或響或悶，我想像空間像是一顆大時鐘，轉動著個人的時間。
The sundial of House
・Pencil Sketch、Milk Board、Carpentry、Stereo Sound
・Variable dimensions
・2024
・
Leaving my residence, I follow the shadows cast by buildings along the way to my studio. In the daily cycle, these shadows become my guide. As I move, I clearly observe the shifting shadows on the ground, as if they are telling me the time. In this perception of time, space stretches the sense of duration, making time feel slower. I bring the shadows from my journey into the studio, layering them over different corners and walls.
Inside the studio, I listen to the faint piano sounds from downstairs, the subtle acoustics of the space, and the environmental noise from the street outside. I record the ambient sounds of each room, blending them with the piano melodies. A single piece of music aligns with the rhythm of passing cars, footsteps, and dripping water—using sound to describe the passage of time.
Shadows and sounds act as my clock hands. Light and shadow shift in length as time moves, while sound varies in resonance and depth depending on the architecture. I imagine space as a giant clock, rotating through personal time.
